Suntup Editions Books

And as I said within the 1984 thread , the quality/cost of Suntup’s productions has diminished lots imo because the early days (which weren’t that long ago). The paper instance I used in my submit above is an illustration of that. What isn't cheap is criticizing a present publisher for prices set based mostly on present production costs. Of course they can not match costs prevailing 50 years ago, or promote below manufacturing value to match prices of second hand books - why would anybody count on that, on what basis? If not having the ability to take action invalidated a publisher, there can be no fantastic press publishers present right now, interval - nobody can return in time.

That said, the numbered version has decreased to 250 copies, which I personally discover unlucky although not surprising. I imply, it’s fairly goal to state that virtually all books now are printed offset, versus most books then have been printed letterpressed. Of illustrated books, some copies will usually have been printed with the plates in proof state or on a special paper. And from the 1890s onwards many éditions de luxe have been signed by their authors or illustrators.

But their author-signed collector’s editions, such as the Lonesome Dove set, are distinguished largely by their leather-based binding, a silk ribbon marker, moire endpapers, and usually better paper than the trade edition. They are normally not illustrated though there are exceptions. A typical price for a single signed version is between $80 and $130. I don’t know what this set offered for originally, but if it were new right now I would guess round $500. I even have purchased the artist edition (this one is “The Exorcist.”) It might be my third Suntup because I like a few of their titles and art, however I am by no means impressed by limitations from any publisher. They are nothing but advertising gimmicks as far as I am concerned.

He made another choice a number of months in the past just like this. I actually loved the book and consider it a decent Thriller with a strong sci-fi foundation, however undecided I'd need a premium version of it. Though admittedly you could add some fairly cool artwork. I think it’s fairly, and like Fowler’s, but dislike novels about ladies who're kidnapped/raped/killed. I really feel just like the DJ turns that kind of violence towards girls into something different what it's. It may be very artistic, and looks as if a lot of thought went into the design.

For instance the Easton Press edition of Graveyard book has both Neil Gaiman's and Dave McKean's signatures and was offered for $99 . So, If anything, today, a signature is a sign of warning in path of the manufacturing attributes I value most. It isn’t a publisher’s duty to make certain that prospects can make a profit by reselling their books.

Why the hell cannot they just use conventional stuff that's been stable for decades? The case of the Neuromancer numbered edition is HORRIBLE. "Gimmicky" is the perfect word for that case.

I'm not partial to Suntup myself but I've read one of the books that Bradley Hutchinson printed for them and could not fault the printing. Would be interested to see some pictures of the issues others talked about. I hadn't realized these have been all printed by the same particular person. In my defense, they were delivered over the course of several years during a pandemic that required most of my restricted intellectual skills to keep my business operating. Interesting for me - excluding F451, these are some of my favorite editions.

They are nonetheless prime tier high quality collectible books. Pretty a lot solely the numbered editions are out there in a large sufficient print run and worth level to attract mid-level speculators. You are talking hundreds to tens of hundreds dollars per book. This shall be my first purchase of a letterpressed fine press guide. Omar Rayyan is fantastic & I have already got the FS Pratchett illustrated books he did, so I suppose I'm a collector at this point. None of the editions are letterpress, so you're paying $135 for the AE , $550 for the numbered edition , and of course these with plenty of revenue will have the flexibility to afford the lettered for $1750.

Have to admit, I'm not drawn by the numbered version - comparable situation to Johnny the place the artist edition appears a far better worth than the numbered edition. The lettered version really sounds particular, and an unique art work by Omar Rayyan - yes! The query stays the place to discuss small presses which sometimes publish fantastic press books. You don't should be a pure nice press to publish nice press books.

It relates, I think, to the larger question round Suntup. Because they pound out version after edition, I think it's unrealistic for them to deliver one thing original and particular and sustain the pace they've set for themselves. With each step like this, they turn into more like Easton Press rather than a real fine press. With each step it turns into increasingly clear that they're making books which may be churned out for revenue.

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